Producer: Hamilton Musical Theatre
Directors: Mike Williams and Jonty Climo
Musical Director: Julia McIntyre
Choreographer: Emelia Jennings
What do Mel Brooks, Irving Berlin, Gene Wilder, Peter Boyle, Kristen Chenoweth, Sutton Foster, and everyone at 83 Riverlea Road have in common? They are all part of an ongoing 205-year experiment in adapting Mary Shelley’s novel ‘Frankenstein’ by giving it new life on film and stage.
Hamilton Musical Theatre’s production of the farce ‘Young Frankenstein’ is now in the second week of a three-week season.
Frederick Frankenstein (Michael Deibert) inherits his grandfather’s estate in Transylvania. Alongside Igor (Paris Eyeington) and Inga (Rachael Bloemendal), Frederick’s mad scientist dreams are explored. All goes well until it doesn’t when his monster (Sam Armstrong) comes to life following a brain transplant.
Mel Brooks side-splitting script is brought to life with the hilarious antics of an energetic cast, and therein lies the key to show. Those who haven’t delved into comedic roles have the benefit of a clever dialogue to help drive their action.
Pacing was good throughout, and the fleeting vignettes during moments such as the ship being loaded, and ongoing interactions between the Transylvanians showed the benefit of having co-Directors Mike Williams and Jonty Climo at the helm. There was never a dull moment.
The set was well utilised with various moving pieces, stairs, and an effective revolve. Subtle touches such as a reference to the Earnslaw, the roaring fireplace, and yet another excellent Riverela paint job created a great background.
Hair and makeup were flawless. The use of plaits for the female ensemble was a nifty way to speak to the time period and location, and allow for a multitude of costume changes. A shout out to the team behind the prosthetics, and indeed Armstrong for being able to deliver an animated performance with such a complete transformation to his facial structure.
Costumes were fantastic. Not only were there a huge number of matching pieces to curate, but the overall effect of specific scenes were gorgeous. Particular standouts included ‘Happiest Town in Town’ and ‘Puttin’ On the Ritz.’ The juxtaposition of sumptuous fabrics and bright colours used for the leads against the simple cotton fabric and muted tones of ensemble was splendid.
Kathryn Harris as Elizabeth, Alice Collins as Frau Blucher, Ross Murphy as Inspector Hans Kemp, Duncan Bouwer as Harold, and Simon Brew as Dr Victor Frankenstein were perfectly cast. Each has extensive theatrical experience that showed in their well-executed performances.
The role of Frederick Frankenstein marked Deibert’s New Zealand stage debut. Originally from the US and armed with a Bachelor in Theatre, he is one to watch out for. Deibert won the audience over with his portrayal of the quirky mad scientist.
Eyeington was nothing short of eye-catching. The physicality required for a sprightly hunchback was extraordinary. Igor is the role that has cemented Eyeington as a naturally talented actor who should go far in the industry as an instinctive and fearless entertainer. ‘Transylvania Mania’ was a highlight that showcased Eyeington’s skills.
Bloemendal has gone from a triple threat to a quadruple threat with an unknown skill for yodelling. As Inga, Bloemendal again showed her ability to lean into character and deliver outstanding vocals.
It was a delight to have a live band again at Riverlea lead by Julia McIntyre. The adept musicians had toes tapping from the outset. An exceptional acknowledgement is given to the band during the curtain call.
Take a bow, Emelia Jennings. To teach an entire cast to tap dance was a mean feat in creating mean as feet! All the choreography was joyful and tight, and months of rehearsals cumulated in a troupe that was accomplished and a pleasure to watch.
Williams and Climo, what a team. I hope they co-direct again in the future as the skills each had brought to Young Frankenstein were invaluable.
Finally, I said this to Jonty’s face and I’ll say it to you: Young Frankenstein is the best production I have ever seen staged at Riverlea. Ever.
Congratulations to all involved for being a part of this 205-year history. Tickets are available via iticket.co.nz and start at $30.00. Friday and Saturday night shows are selling fast, so get in asap.
Image: Kerry Blakeney-Williams
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